A Painting A Day

 Went to the three hour live painting session at Nysha's today. Our model was very thin, and so I kept thinking the arms looked too thin but then that was what I saw. Now that I'm home, I think her left arm is too long. Again I didn't measure, and I don't have reference photos so it will have to just stay this way. I think the problem is the hand goes down a bit too far and the break in the arm needs to go up a smidge.

 I realized on the way home that I didn't use a single drop of yellow ochre in her skin. But her skin seemed to have very cool tones so I stuck to the blues, purples and cooler reds. I loved the light - Nysha has such a talent with lighting the subjects. His lighting on her was very dramatic and I loved the pose.

Fitting all of this on a 12x16 board meant I couldn't get the detail I'd like on her face, hands, etc. but was a good study and I feel like I learned a lot!

 Happy to get back in the studio tonight. Painted this at Anne's tonight and am planning on painting again on Friday. It's been too long!

So much has been going on that I'm having to put painting on the back burner for now. But I did get to go to a live model session last Friday - this was the result. I absolutely loved the lighting and the working from her profile - it made it seem very dramatic to me.

I am thinking I won't have much time to paint until the Christmas Holidays, so I'm looking forward to that!

Not sure if I'm finished with this yet, but I am having fun with this one. I combined my love of abstract with my love of portrait and figurative work - combined with my current obsession for red and just a little Warhol thrown in for fun - with the repeating figures.

I was actually trying to find a crowd pic but couldn't find one so I thought why don't I just make multiple copies of this model? I thought the crisscrossing legs would be cool... not sure it turned out that way though.

 It's surprisingly hard to paint exact copies. You can see there are a lot of differences between them. It was easier to get the two models side by side but the one off to the left is way off. I plan to do this kind of painting again and see how close I can come to making exact replicas. I don't ever trace things but I might reconsider that - paint the first one and then duplicate it with tracing paper. Tracing has always seemed like cheating to me - although a lot of artists I really respect do some tracing. I might consider it only if I'm tracing the first model I paint. That way I'm tracing my own work.

This is in acrylic and I'm actually really starting to like working with it. It dries so frigging fast! I mean like almost after I put the paint on the canvas. And then it's forgiving... I can paint over things as often as I'd like and can completely cover black with just one or two coats. With oil I can push the paint around but I can't cover mistakes like that unless I wait for it to dry. So I'm liking that aspect.

I also love making drips. Sorry that might sound childish but hey ... the drips bring out the inner kid in me.

There are a lot of things unfinished in this painting, but I think I like it that way. At least I like it today... tomorrow ... who knows?

See if you can figure out why I called it Birdies. Haha

I hung these two abstracts at Market Central today. They are 24"x24" canvases gallery wrapped and then coated with clear resin.

 They were really fun to do, and finishing them with clear resin really made a difference. I like it that they could be hung any number of ways - both pointed up, pointed down, white together or red together. They were an experiment and I used a lot of paint making them. I really like the way they turned out!

Painted this over the weekend. It's large for me - on a 24"x48" gallery wrapped canvas.

I did it in acrylic because I didn't have time for oil paint to dry. I wanted to get some work out to Market Central because my artist friend Glenda Brown and I are sharing a wall.

Janice Joplin is incredibly hard to capture. Her looks and even her features seem to change from picture to picture... so I just focused on the picture I was working from.

Acrylic is also a challenge for me because I don't use it very often. I was really impressed with the masterson palette I used, because over the course of the three days I was working on it, the paint didn't dry out. That was really impressive. But working with the acrylic seems sluggish. The paint gets sticky so fast there's no time to blend your colors on the canvas. I used a gel medium with the paint to try to keep it pliable but it still dried too quickly. I do believe there are some mediums on the market I can get to slow down the drying time - I might look into that. I just need the paint to stay workable for long enough to blend. It may have also been that I wasn't using enough water while painting. On the flip side, the whole reason I used acrylics was for the fast drying time. So I guess you can't have it all!

 I was encouraged with this portrait because my husband liked it so much, he actually wanted to keep it!