Dramatic Light

HelenatNyshas

So much has been going on that I'm having to put painting on the back burner for now. But I did get to go to a live model session last Friday - this was the result. I absolutely loved the lighting and the working from her profile - it made it seem very dramatic to me.

I am thinking I won't have much time to paint until the Christmas Holidays, so I'm looking forward to that!

Birdies

birdies

Not sure if I'm finished with this yet, but I am having fun with this one. I combined my love of abstract with my love of portrait and figurative work - combined with my current obsession for red and just a little Warhol thrown in for fun - with the repeating figures.

I was actually trying to find a crowd pic but couldn't find one so I thought why don't I just make multiple copies of this model? I thought the crisscrossing legs would be cool... not sure it turned out that way though.

 It's surprisingly hard to paint exact copies. You can see there are a lot of differences between them. It was easier to get the two models side by side but the one off to the left is way off. I plan to do this kind of painting again and see how close I can come to making exact replicas. I don't ever trace things but I might reconsider that - paint the first one and then duplicate it with tracing paper. Tracing has always seemed like cheating to me - although a lot of artists I really respect do some tracing. I might consider it only if I'm tracing the first model I paint. That way I'm tracing my own work.

This is in acrylic and I'm actually really starting to like working with it. It dries so frigging fast! I mean like almost after I put the paint on the canvas. And then it's forgiving... I can paint over things as often as I'd like and can completely cover black with just one or two coats. With oil I can push the paint around but I can't cover mistakes like that unless I wait for it to dry. So I'm liking that aspect.

I also love making drips. Sorry that might sound childish but hey ... the drips bring out the inner kid in me.

There are a lot of things unfinished in this painting, but I think I like it that way. At least I like it today... tomorrow ... who knows?

See if you can figure out why I called it Birdies. Haha

Royals

royalduo

I hung these two abstracts at Market Central today. They are 24"x24" canvases gallery wrapped and then coated with clear resin.

 They were really fun to do, and finishing them with clear resin really made a difference. I like it that they could be hung any number of ways - both pointed up, pointed down, white together or red together. They were an experiment and I used a lot of paint making them. I really like the way they turned out!

Cry, Cry Baby

janice

Painted this over the weekend. It's large for me - on a 24"x48" gallery wrapped canvas.

I did it in acrylic because I didn't have time for oil paint to dry. I wanted to get some work out to Market Central because my artist friend Glenda Brown and I are sharing a wall.

Janice Joplin is incredibly hard to capture. Her looks and even her features seem to change from picture to picture... so I just focused on the picture I was working from.

Acrylic is also a challenge for me because I don't use it very often. I was really impressed with the masterson palette I used, because over the course of the three days I was working on it, the paint didn't dry out. That was really impressive. But working with the acrylic seems sluggish. The paint gets sticky so fast there's no time to blend your colors on the canvas. I used a gel medium with the paint to try to keep it pliable but it still dried too quickly. I do believe there are some mediums on the market I can get to slow down the drying time - I might look into that. I just need the paint to stay workable for long enough to blend. It may have also been that I wasn't using enough water while painting. On the flip side, the whole reason I used acrylics was for the fast drying time. So I guess you can't have it all!

 I was encouraged with this portrait because my husband liked it so much, he actually wanted to keep it!

Royal

royal

This abstract was an experiment - I was playing around. On reflection, I think red is a very strong color that seems to invoke a dramatic response. It seems like when I attempt non representational abstract expressionism my abstracts seem to have a violent nature - like they are shouting at me. On the bright side, at least my work is evoking an emotion. So I am wondering if the work that disturbs me the most, might also be my best work?

Paint your own Abstract!

Lisa Balton and I put on a "Paint your own Abstract" painting party at the Fountain Gallery yesterday. It was a wonderful success! The participants all brought their own canvases and an idea of what they wanted to paint - we supplied paint, brushes, and a little guidance - mainly helping them mix the right colors and achieve the result they were looking for. So proud of them! Their paintings were fantastic!
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Leah did a non representational abstract that she conceived!

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Kristi did two 12x12 paintings working from a picture but changing the colors - great palette knife texture!

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Nancy was another creative girl who came up with her concept!

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Charlene did a great job with this abstract landscape of a sunset over water!

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Here are the dance girls - Michelle (far right) did a beautiful job - love the colors she used!

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Our other Michelle in the group did the cutest little squares - her use of color and texture on these was fantastic!

Little Bursts of Color and Market Central

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What a crazy week it's been! Sorry the lighting is so bad on these. These are little 6x6 abstract studies I was working on for our "Paint your own abstract" party at the Fountain Gallery this weekend. Right now they are on sale at the sidewalk sale at Market Central!

 On Tuesday, I find out there's an opportunity to display some work at Market Central for this weekend's big Sidewalk Sale, so I spent most of yesterday getting ready for that. Artist Glenda Brown is sharing a wall with me, and we had to paint the wall, and hang some art.

 I didn't have anything ready that I thought would work for the designer crowd that shops there except one abstract. So the one abstract (red and blue one I call "Eruption") is mine - the rest are Glenda's. Glenda is a fantastic portrait artist, and I've gotten to know her through Anne Enoch's Wednesday night painting from life group.

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So I'm excited to now be at Market Central, and will devote some time to putting together more art for this wall!!!

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