A Painting A Day

 Today I ran out late in the day for an hour or two to paint. I looked online and found a nice park nearby. It had an amazing fountain, but it was the light of the green grass in the distance and the interesting colors in the water that drew me to this spot. My technique was very messy and I had to leave very fast when a sudden thunderstorm sprung up but overall I was happy with this effort.

 I felt very in tune with my painting. My palette was so simple. I used alizarin red, cad yellow, ultramarine blue, white, permanent green light and burnt umber. I had also bought myself a round brush and experimented with the thin lines of the tree branches.

Spent the morning out at Shelby Farms in the good company of Denise Rose for the March Plein Air Memphis outing.  Wonderful location! I was pretty happy with my colors today especially the reflection of the trees in the water but not so happy with the trees. I imagine it's just going to take a while and perhaps the right kind of brushes to get the trees right, especially the big thicket of trees in the foreground. I didn't have any brushes for thin lines - must work on that! I do think I got closer to a focal point. My eyes are drawn to the trees beyond the lake, but my intention was for the thicket of trees to be the focal point - so I accidentally succeeded! Haha

We had a break in the rain for a short period today... and I took the opportunity to get out of the house, go to Shelby Farms, and paint! I have a long way to go on my plein air work. I don't know why my landscapes are so blurry. I guess I get impatient and don't focus enough on details. A painting needs a focal point, and I must find a way to put one into my plein air paintings!

 Went to the three hour live painting session at Nysha's today. Our model was very thin, and so I kept thinking the arms looked too thin but then that was what I saw. Now that I'm home, I think her left arm is too long. Again I didn't measure, and I don't have reference photos so it will have to just stay this way. I think the problem is the hand goes down a bit too far and the break in the arm needs to go up a smidge.

 I realized on the way home that I didn't use a single drop of yellow ochre in her skin. But her skin seemed to have very cool tones so I stuck to the blues, purples and cooler reds. I loved the light - Nysha has such a talent with lighting the subjects. His lighting on her was very dramatic and I loved the pose.

Fitting all of this on a 12x16 board meant I couldn't get the detail I'd like on her face, hands, etc. but was a good study and I feel like I learned a lot!

 Happy to get back in the studio tonight. Painted this at Anne's tonight and am planning on painting again on Friday. It's been too long!

So much has been going on that I'm having to put painting on the back burner for now. But I did get to go to a live model session last Friday - this was the result. I absolutely loved the lighting and the working from her profile - it made it seem very dramatic to me.

I am thinking I won't have much time to paint until the Christmas Holidays, so I'm looking forward to that!

Not sure if I'm finished with this yet, but I am having fun with this one. I combined my love of abstract with my love of portrait and figurative work - combined with my current obsession for red and just a little Warhol thrown in for fun - with the repeating figures.

I was actually trying to find a crowd pic but couldn't find one so I thought why don't I just make multiple copies of this model? I thought the crisscrossing legs would be cool... not sure it turned out that way though.

 It's surprisingly hard to paint exact copies. You can see there are a lot of differences between them. It was easier to get the two models side by side but the one off to the left is way off. I plan to do this kind of painting again and see how close I can come to making exact replicas. I don't ever trace things but I might reconsider that - paint the first one and then duplicate it with tracing paper. Tracing has always seemed like cheating to me - although a lot of artists I really respect do some tracing. I might consider it only if I'm tracing the first model I paint. That way I'm tracing my own work.

This is in acrylic and I'm actually really starting to like working with it. It dries so frigging fast! I mean like almost after I put the paint on the canvas. And then it's forgiving... I can paint over things as often as I'd like and can completely cover black with just one or two coats. With oil I can push the paint around but I can't cover mistakes like that unless I wait for it to dry. So I'm liking that aspect.

I also love making drips. Sorry that might sound childish but hey ... the drips bring out the inner kid in me.

There are a lot of things unfinished in this painting, but I think I like it that way. At least I like it today... tomorrow ... who knows?

See if you can figure out why I called it Birdies. Haha